Matovu: The legend, face of band music in Uganda

by December 8, 2019

The story of the Ugandan live band music industry is incomplete without mentioning the passion, resilience, commitment, influence and contribution of Moses Matovu – the multitalented artiste who has graced the stage for almost five decades, leading the country’s top band; Afrigo.
The soft-spoken gentleman of a dark skin complexion standing at five feet tall is a historian of the Ugandan band music industry.
He is a widower and has 11 children and grandchildren.
Matovu was born on June 19, 1949 to the late Abdallah Bukenya bin Adam and Solome Nakitto in Kawempe, Kampala. He spent most of his childhood with his mother.
He began singing as chorister in the Namirembe Cathedral Choir at the age of four.

He attended Namirembe Primary School and Kibuli Secondary School for his Junior One and Junior Two.
He began his professional music career with the Thunderbirds Band in 1967 as a vocalist.


He later joined the Police Band in 1968 and Cranes Band in 1969. Internal squabbles led to the disintegration of the Cranes Band in 1975.
On August 31, 1975, Matovu, Tony Ssenkebejje, Jef Sewava, Charles Ssekyanzi and Jessy Gitta formed Afrigo Band in Kampala.
The band’s material is heavily influenced by Congolese rumba and borrows from Ugandan traditional rhythms and folk music.
The band that sings in local languages and Kiswahili, but mainly in Luganda, has since released 23 albums that include Afrigo Batuuse I, Jim, Genda Osome, Vincent, Mp’Eddembe, The Best of Afrigo, Julie, Afrigo Batuuse II” (Volume 8), Omutanda Gyali and Katonda Tumusinzenga.

Their great hits include Afrigo Batuuse I and II, Emmere Esiridde, Mundeke, Speed, Twali Twagalana, Amazzi Genyama, Jim, Rose Guma, Nnemeddwa, Mp’Eddembe, Obangaina, Vincent, Olumbe Lwo’bwaavu, Olimujja Wa, Bwosika Ekitajja, Nantongo, Omusujja, Nkoye, Bwenkanya, Suzana, Zalwango, Nfunda N’omubi, Obangaina, Minzani and Maria, among others.
Matovu has composed hits such as Nantongo, Silina Anantwaala, Teri Mubi, Emiziro, Ekkizi Ekadde, Sofia, Genda Osome and Afrigo Batuuse 1, among others.
Afrigo Band launched its 23rd album titled Teri Mubi at Hotel Africana in Kampala on October 11.
They played their old material and all the 11 songs like Teri Mubi, Hamu jambo, Emiziro, Gira Oyige, Kitokota, Olulimi lwanga and Yantamiiza, among others.

Matovu says Teri Mubi has new and old songs like Emiziro that he composed and recorded with the Cranes Band in 1970.
“By then I was young and musically I did not have much of what I have today. So I just wanted to re-arrange that song and bring it to other people who did not know it. If I did not tell you that I recorded it in 1970 you might say it is new. But it is new in such a way that we arranged the instrumental side of it with tempo, percussion, singing and saxophone blowing and keys, because originally we had no saxophones, pianos, and drums. We just used maracas and congas in 1970,” he tells Sunday Monitor.

The message in Teri Mubi composed by Matovu is the fact that one cannot say that a woman is bad looking or ugly.
The same woman you may say is ugly is beautiful for another man.
Afrigo Band worked with Vincent Othieno, who plays bass and guitars, to produce Teri Mubi. Advertisement

Jose Chameleone features on Teri Mubi. Eddie Ganja, Joe Koda and John Bashengezi play additional guitars.
The drums are by Olaula Ajibade while Vohn Higgibotham does the keyboards.
Othieno is a Ugandan based in the USA. He recorded Afrigo’s album ‘Music Parade Vol. 8’ in 1982 and has since worked with the band producing several of their albums.
He has also worked with the Ugandan group Mixed Talents.
Matovu describes Othieno as a very good producer. “He is a good musician, he can play bass and guitar, he is a good arranger, and he has a good ear, knowledgeable and experienced.”

Teri Mubi is available on Tidal and other streaming platforms. A CD is going for Shs30,000 ($8.14) at the band’s studio in Kampala.
It took the band four years preparing Teri Mubi. As to what it takes to produce this kind of work, Matovu, said: “It depends on what you want. As an old musician I don’t rush with my things. You know music is very funny. When you finish to record something and it’s being played you might think that it is the best. But when you give it time and maybe come back tomorrow you can hear some mistakes. You feel there is something missing but it depends on your experience, what you know and want.”
When asked what he would have been if he was not in music today, Matovu, a singer-songwriter, saxophonist, flutist and bandleader, said: “Actually I don’t know because I started music when I was very young. I started music when I was 18 years.”

“I think I take it as my first job and this is the only work I am doing. Music is part of my life – every time I am listening to music, thinking about music and admiring good musicians,” he added.
On how he got interest in music, Matovu said: “My mother’s relatives are Christians and my dad was a Muslim. Most of my childhood I stayed with my mum and her family in Bakuli in Kampala and I went to church. I was in Namirembe Cathedral Choir when I was in Namirembe Primary School. My mum and her family were good singers, so maybe I picked the interest and talent of singing from there.”
As to what it has been like leading Uganda’s legendary Afrigo Band since its formation 44 years ago, Matovu, says: “Actually I am used to that because it is like a football team when you are used to winning you have to work for it. It does not just come like that you have to work for it. And it is hard work.”

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